Madeline Vara on installing “350: Student Exhibition” April 15, 2010Posted by claralieu in Installing Exhibitions, painting, Student blog posts, Student Exhibitions.
Tags: exhibition, gallery, installation, painting
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Today’s post is a guest blog post by Madeline Vara, Class of 2010. Madeline completed a 350 level project and is participating in “350: Student Exhibition“ which has an opening reception next Tuesday, April 20 at 4:45pm. In her post, she discusses the process and experience of installing her project into the gallery space.
“This past Monday, we began the installation for the 350 show. Though all of the 350 students participating in the show, myself included, were displaying paintings, I found myself with a bit of predicament concerning how to present my artwork. In the case of the other 350 students, their paintings were all on large stretches of canvas, set to be easily hung on the walls. My project had left me with 22 various small paintings, though, with all of them on paper.
While I could have just as easily posted my paintings in mass along the wall, I couldn’t help but feel that it wouldn’t do the art justice. As a result, I embarked on small mission to complete a three dimensional installation of my work by creating shelves to display them on. After buying a multitude of hardware supplies, I set out to create a 7-foot long shelf and multiple smaller shelves. The all-day affair of painting them, deciding their places on the wall, and finally drilling them into place was tiring, but ultimately worth every minute. Viewing art isn’t just about the painting or drawing or sculpture itself; it is deeply tied in with the space the object occupies and the mode through which we view it. Installing the shelves was essential to creating the right “frame” for my paintings.”- Madeline Vara, Class of 2010
Madeline Vara works to install her pieces into the gallery space.
Transformations: Installation, Opening, & Gallery Talk March 8, 2010Posted by claralieu in artists, drawing, Gallery Talks, Installing Exhibitions, Opening Receptions, painting, photography.
Tags: drawing, painting, photography, sculpture
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Last week was a busy week in the gallery: on Monday and Tuesday we installed the exhibition “Transformations”, Thursday was the opening reception, and on Friday we had a gallery talk with Ken Takashi Horii and Thomas Lyon Mills.
(left to right) Thomas Lyon Mills, Gallery Director /Curator Clara Lieu, Nathalie Miebach, and Ken Takashi Horii discuss the installation plan.
(left to right) Thomas Lyon Mills, Gallery Director/Curator Clara Lieu, and Nathalie Miebach discuss options for how to install the exhibition.
Figuring out the layout for the exhibition was complicated due to the fact that every artist had both two-dimensional and three-dimensional work. All of the exhibitions we’ve mounted since I started directing the gallery in 2008 have largely featured two-dimensional work, so this was a first for the gallery to have so much three-dimensional work in a single show. Other important considerations were how to distribute and balance color throughout the gallery. Nathalie Miebach and Thomas Lyon Mills both had works which were heavy in color whereas Ken Takashi Horii and Anthony Crudelle-Janello had largely black and white or monochromatic works.
Each artist had their own pre-determined system for hanging and arranging their works in the gallery. In Ken Takashi Horii’s case, his large sculpture arrived in several pieces and was installed piece by piece into the wall. Nathalie Miebach had sculptures and also several audio components which went along with her musical scores. Thomas Lyon Mills had a simple and effective hanging system for his paintings which allowed them to hang on the wall unframed. Anthony Crudelle-Janello’s sculpture was constructed on a set of wheels, allowing it to be wheeled right into the gallery. Crudelle-Janello’s photographs were hung on the wall using strips of velcro stuck to the back of the photographs.
The opening reception was well attended by both members of the Wellesley College community as well as several people from off campus, many of whom were visiting the gallery for the first time. A live jazz performance with piano, flute, and bass was provided by the Wellesley College Music Department.
The following day the gallery hosted a gallery talk by Thomas Lyon Mills and Ken Takashi Horii. Hearing their insights and thoughts about the work provided a whole new level of depth and understanding of their work in the exhibition. View all of the photos from this exhibition and events on our Flickr account.
Thomas Lyon Mills speaks about his work.
Ken Takashi Horii speaks to the crowd about his work.
“Spine: Senior Exhibition”: Opening Reception December 11, 2009Posted by claralieu in book arts, installation, Opening Receptions, painting, Student Exhibitions.
Tags: book arts, installation, painting, student, wellesley college
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This afternoon we hosted the opening reception for “SPINE: Senior Exhibition”. We had an amazing turn out for the show, which made for a lively and festive event.
At the opening reception, each of the artists spoke briefly about their works in the exhibition.
Jessica Planos discusses her artist books.
Eliza Murphy talks about her self-portrait oil paintings.
Jenna Miller discusses her installation “Frame”.
“Spine: Senior Exhibition”: Installation Views December 8, 2009Posted by claralieu in book arts, installation, painting, Student Exhibitions.
Tags: art, exhibition, gallery, student, wellesley college
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“SPINE: Senior Exhibition” is currently on view in the Jewett Gallery through Dec. 16, with the opening reception scheduled for this Thursday, Dec. 10 at 4:45-6pm. Hope you can join us at the opening!
Eliza Murphy on installing “Spine: Senior Exhibition” December 7, 2009Posted by claralieu in Installing Exhibitions, painting, Student blog posts, Student Exhibitions.
Tags: exhibition, gallery, oil painting, self-portrait, wellesley college
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Today’s post is a guest blog post from senior Eliza Murphy, who has a series of large scale, self-portraits painted in oil on canvas in our current exhibition “SPINE: Senior Exhibition”. Read below about her experience installing her work in the gallery last week.
This Thursday we set up our show “Spine”. I must say I wasn’t anticipating such a long day, but it was worth it and the show looks great. Early in the day, Clara taught me all about attaching D- rings to my canvases and how to measure and space for my paintings. I am very pleased to have mastered these new skills. After many attempts and adjustments to my measurements, hanging and re-hanging, hanging and re-hanging, everything is in order and looks grand, if I do say so myself. I am excited to see what kind of response our show elicits.
Spine: Installation December 4, 2009Posted by claralieu in Architecture, book arts, Installing Exhibitions, painting, Student Exhibitions.
Tags: Architecture, artist books, gallery, installation, oil painting
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This morning we started installing “SPINE: Senior Exhibition” which features seniors Jessica Planos, Eliza Murphy, and Jenna Miller. This exhibition has a wonderful diverse selection of work: Eliza Murphy is exhibiting a series of large scale, self-portrait oil paintings. Jenna Miller constructed a large scale installation piece which references architectural elements. Jessica Planos is showing a series of letterpress books.
Jenna Miller and Andrew Mowbray work on constructing a wooden structure for her installation piece titled Frame.
Moving segments of Jenna Miller’s installation work into the gallery turned out to be a five person job due to the fragility of the drywall material the segment was made out of. The segments will be attached to the wooden structure and then made to stand up with a pulley system attached to the ceiling of the gallery.
Eliza Murphy works on figuring out measurements and spacing for her oil paintings. Since Jenna Miller’s work and Jessica’s work are both three-dimensional, this allowed Eliza to have use all of the wall space for her paintings. Given their large scale, this worked out perfectly.
“Pulp” Preview: David Teng Olsen August 25, 2009Posted by claralieu in artists, drawing, painting.
Tags: drawing, faculty, painting, wellesley college
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I’m in the process of collecting images and information from the faculty in “Pulp: Works on Paper by the Studio Art Faculty” this week. Below is a preview of one of the works that will be in the show: “Madd”, an drawing with ink, watercolor, and acrylic paint on Fabriano paper by David Teng Olsen. I’ve included an excerpt from his artist statement where he talks about his creative process and engagement with drawing and his materials.
My cup of black India is in constant need of refilling. I often am mad at myself for leaving during the middle of the drawing, distracted by something outside of my studio only to return hours later to find my perfect drawing brush ruined from neglect. The ink flows from the end of my brush much longer then I ever expect it to, and it makes me shiver with excitement every time it does. Most often for me the magic of the mark happens during the moments I least expect it and I try for hours on end to recreate that exact moment that gave me shivers in the first place. There is no other time I am happier then when I am working on drawings. There is no other time in my visual explorations that I discover more. Without it I would have nothing. -David Teng Olsen